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1939 is set between present-day London and the idyllic British countryside in the time before the beginning of the Second World War. At a time of uncertainty and high tension, the story revolves around the formidable Keyes family, who are keen to uphold and preserve their very traditional way of life. The eldest sibling Anne is a budding young actress who is in love with Foreign Office official Lawrence, but her seemingly perfect life begins to dramatically unravel when she stumbles across secret recordings of the pro-appeasement movement. While trying to discover the origin of these recordings, dark secrets are revealed which lead to the death of a great friend. As war breaks out Anne discovers the truth and flees to London to try to confirm her suspicions, but she is caught and imprisoned and only then does she finally begin to discover how badly she has been betrayed.

1961: When Abby dies of a stroke, her surviving partner of 50 years, Edith, must silently face heartbreak and the denial of her status as “family” by the hospital and Abby’s heirs. 1972: Linda, a feminist, out, college student is ousted, along with her lesbian cohorts, from the on-campus womens’ group: the cause of feminism comes first, apparently. In an attempt to forget their troubles, the friends go to the only lesbian bar in town, where Linda meets Amy, who is too butch to pass muster with Linda’s friends. Intrigued, despite her friends’ disapproval, Linda comes to understand and fall in love with Amy while learning about her own prejudices. 2000: Fran and Kal want to have a baby. But they want the baby to be theirs and theirs alone, so to the sperm bank they go. But the decisions to be made! Ordering over the internet? Which donor? What race? What gender? And what if the sperm bank is out of that particular perfect donor? And above all, is it right to bring a baby into a world that will undoubtedly be prejudiced? Or will love and laughter see them through?

A dramatic, romantic comedy inspired by the lives of two people with Asperger’s Syndrome, a form of autism, whose emotional dysfunctions threaten to sabotage their budding romance.

Whatever She Wants is the story about one woman’s determination to rediscover who she really is… Vivian Wolf has suffered one heartbreak too many and has no room left for unfulfilling relationships. Now she has come up with the solution to every woman’s problem, a private club called “Whatever She Wants” where men have to qualify to get in. No baby daddies, no bad credit, no car, no pot bellies, and no living with your mama will get you NO ENTRY. To be in the presence of these women you have to be able to give them whatever they need. It is the grand opening and Vivian is as grand as she can be. She has it all except her own man. And for her traditional and powerfully wealthy father, Theodore Wolf, this is unacceptable. In town to celebrate Vivian’s fortieth birthday, Theodore discovers his financial contribution to Vivian’s business ventures has turned into a social club for dating. He doesn’t agree with her elitist approach to relationships. This isn’t what he expected from his oldest daughter. Her time is running out and so is his patience. She has embarrassed him and the family’s name and now he demands change. The only problem is… These two wolves ain’t afraid to howl. Question is… Which one will be the first to bite? Meanwhile, Tracy Jamison, Vivian’s more reformed younger sister and her hubby Carlos, have sought refuge in Vivian’s home. Tracy and Carlos have fallen on hard times and for Vivian this is all the proof she needs as to why her “Whatever She Wants” social club will prevent her from struggling through a pointless marriage. She wants happiness without the fight, so she instead fights with Tracy and her husband. She ridicules Carlos for putting his dreams before his wife and convinces Tracy she doesn’t have to suffer with a minimum wage brother. Enough is enough. Carlos wants to get away from it all and demands Tracy decide if she’s married to him or to her sister. Not sure what to do, Tracy ventures out and finds herself in the arms of another man who promises to give her “Whatever She Wants”. But she’s not the only one making a love connection. The close hearted Vivian who has yet to find the man she wants finally meets her match. Even the men who pass her prescreening qualification detector and are allowed into her club are not into her heart. That is until Julian Heaven breaks it in. Julian is every woman’s fantasy. He’s stunning, sexy, charming, and legit. He catches Vivian hook, line and sinker and it doesn’t take much to reel her in. But this fish might not make it to the frying pan as things start to heat up in the kitchen. It all boils over when Vivian’s joy ride with Julian comes to a crashing end. Vivian’s fantasy world crumbles into the harsh reality that whatever she wants just might not be what she gets. Witness the power, laughter, strength and honesty as Vivian searches for the perfect man who just may not come in the perfect box. Whatever She Wants is the story about one woman’s determination to rediscover who she really is…

This movie is based on a novel of Tiziano Sclavi, and it always reflects the “sclavian philosophy” diffused by the most succesful comics in Italy: Dylan Dog, the detective of the nightmare. There is the duality between love and dead (in Italian “dellamore” means “of love” and “dellamorte” means “of death”), a duality that Dellamorte feels in a really hard way. He is the guardian of the cemetery of Buffalora, a little town in the north of Italy, in which, we don’t know why, corpses rise from tombs and Dellamorte has to destroy them. Dellamorte seems not to ask to himself why this happen, he shoots and loves. But at the end he wants to leave Buffalora…

A copy editor in her early 20s gets her chance to become a reporter at a Chicago daily. She’s sent to do a feature on what cool high schoolers are doing. To really find out, she goes undercover as a student. Back at school, she gets to repair her own scarred teen psyche, as she was a total geek in her first go-around.

Samuel Faulkner panics when he learns that his girlfriend of five years, Rebecca Taylor, is pregnant. Samuel is a child psychiatrist who is frustrated by children. Samuel doesn’t want the baby, but Rebecca wants to settle down, even if she has to be a single mother. After a breakup and a makeover by Samuel’s friend Sean, he realizes that he loves Rebecca very much, and he will love his child. Samuel proposes to Rebecca, and learns to love his child, and life.

Marcus finds himself in love and married to not one woman, but two. Every man’s fantasy right? Wrong! Due to odd circumstances Marcus is forced to live under one roof with both of his wives. This makes it impossible to hide the intimate details of either relationship. With his first wife Vivian determined and on a mission to get her man back by any means necessary, Marcus’ once peaceful home is now anything but that. He has gotten himself into world wind of trouble being too greedy, and not being able to choose between his past, and his present, but which will be his future?

Famous film director Guido Contini struggles to find harmony in his professional and personal lives, as he engages in dramatic relationships with his wife, his mistress, his muse, his agent, and his mother.

This series operates on many levels. At the heart of the series is the tempestuous relationship between Margaret Hale, a young woman from a southern middle class family who finds herself uprooted to the north, and John Thornton, a formerly poverty-stricken cotton mill owner terrified of losing the viability of his business. Around them are class struggles between the workers and mill owners and ideological struggles between the industrial North and the agrarian South. After moving North, Margaret’s father befriends his student Mr. Thornton. Margaret has already formed her opinion of Mr. Thornton independently after seeing him treat his workers harshly. As the series progresses, she and we the audience begin to learn that his strict treatment is due to an overarching concern for his mill and by extension, his employees. John Thornton, on the other hand, is attracted to Margaret’s independence and position in society as a well-educated Southerner. As in “Pride and Prejudice” the marriage proposal comes in the middle of the series and is rejected by Margaret. Contrary to “Pride and Prejudice” it is mirrored in social upheaval as the entire town is brought to its knees by a strike. The latter half of the series is an unraveling of the former misunderstandings ending in a romantic reconciliation which is again mirrored by reconciliation between workers and mill owners.