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An American film producer named Marie returns to her homeland, Russia, where her mother’s dead body has been found under bizarre circumstances. She never knew her, having been adopted and brought to America as a baby. The only clue as to what might have happened is an isolated, abandoned farm in the mountains that supposedly belong to her natural parents. Being the only next of kin, she inherits the place, but no one will take her there as the local superstitions state that the area is…DAMNED. Only one man will embark on such a dangerous and long journey…A stranger that oddly seems to know quite a bit about her history…But once arrived the guide mysteriously disappears, forcing Marie to explore the derelict location alone. She discovers someone else on the property…A man named Nikolai, who claims to have been lured there exactly in the same manner, so he could discover the truth behind his unknown past as well. They become stranded in the immense compound, plagued by terrifying, ghostly visions…The problem is that the ghosts that wander around are THEIR OWN. Dead versions of themselves marauder between the buildings in the night…Time begins to move in reverse as history re-lives itself in front of their very eyes. While both their ghosts, illustrating how they will die, patiently await their living counterparts to expire. A cycle of horror comes to fruition, as they are revealed the reason they have been summoned for this perverse reunion…And the brutal secret behind their family.

When a female D.A. is killed, the D.A. assigns his assistant to handle the investigation. Only problem is that he was having an affair with her. And the evidence reveals that he is the killer. So he suspects that the man who wants his boss’ job is trying to frame him. He turns to Sandy Stern a highly celebrated defense attorney to represent him.

The year is 1986. In Ochopee, Florida, 11-year-old Joanie Shriver is kidnapped, raped, and murdered. Bobby Earl Ferguson is arrested by officers Tanny Brown and J. T. Wilcox, who proceed to beat Bobby into confessing to the murder. Bobby is placed on trial, where Bobby’s defense attorney McNair puts up a lousy defense for Bobby, and Bobby is sentenced to be executed. Now, eight years later, Bobby hands a letter to his grandmother Evangeline and asks Evangeline to go to Cambridge, Massachusetts, to hire Harvard law professor Paul Armstrong to clear Bobby’s name. At Harvard, Paul is attacking capital punishment in a campus debate, when Evangeline arrives and hands the letter to Paul. Paul goes home, where his wife Laurie is throwing a birthday party for their young daughter Katey. Laurie reads the letter and she encourages Paul to take the case, even though he hasn’t practiced law in 25 years. Paul, Laurie, and Katey head to Florida, where Paul meets Bobby in the prison. Bobby tells Paul his side of the story and what Tanny and Wilcox did. Paul begins to believe that Bobby was railroaded. Bobby tells Paul to speak to Blair Sullivan, a man who is also on death row. Blair gives Paul some clues that could prove Bobby’s innocence — and Blair’s own guilt. But in the process of trying to clear Bobby, Paul learns some disturbing truths about Bobby, putting Paul and his family in a fight for their lives.

Richard Hannay, a mining engineer on holiday from the African colonies, finds London socialite life terribly dull. Yet it’s more then he bargained for when secret agent, Scudder, bursts into his room and entrusts him a coded notebook with map, concerning the impending start of World War I. In no time both German agents and the British law are chasing him, ruthlessly coveting the Roman numerals code, which Hannay believes he must crack himself. Masquerading as a liberal party pundit, Richard also gets stuck with parliamentary candidate Sir George Sinclair’s sister Victoria. They must survive with the secrets and decide who they can trust and how to keep it from others.

In Italy, the American writer Sam Dalmas (Tony Musant) witnesses an attempt of murder of the owner of an art gallery, a couple of days before his foreseen return to the United States of America. He decides to stay with his girlfriend Julia (Suzy Kendall) and help the police in the investigation, while the serial killer stalks Julia and him.

Sherry, the girlfriend of the former “Don Juan,” successful older businessman Don Johnston, ends their relationship. At around the same time, he receives an anonymous pink letter revealing to him that he has a nineteen-year-old son, but he has no clue as to who the mother might be. Don’s friend and neighbor ,Winston, an aspiring “Sherlock Holmes,” compiles a list of Don’s former girlfriends and presses a plan for a cross-country trip to meet each of them and subsequently learn the identity of the son. A reluctant and emotionless Don, armed with flowers, first visits the widow, Laura, preceded by her teenage daughter, Lolita, who affronts him by appearing naked in an asexual context in a show of emancipation at his expense. Laura herself, however, is the one person in the film who treats him humanely and as a sexual being. Then he meets the successful real estate agent Dora and her husband Ron and they have an uncomfortable dinner together, with Don as a third wheel. He next takes flowers to the office old flame Dr. Carmen, now a writer on the psychology of pets and a communicator with animals, (based on her ‘relationship’ with a deceased canine.) Her much younger secretary gives Don a markedly icy reception supposedly because of his unannounced arrival. He unapologetically imposes on Carmen’s schedule, but despite his best efforts he can not penetrate her armor. And the secretary, as an afterthought, returns the flowers. Lastly, he plies his charms with Penny, yet another example of resentment, living in the woods with a pair of younger motorcycle toughs, one of whom, on the pretense of gentlemanly concern about what he makes out to be insensitivity towards Penny, cold-cocks Don Johnston. Johnston wakes up in his car with the flowers broken. A little desperate now, he makes the brief acquaintanceship of a young, kind-hearted lady florist, Sun Green, who begins to show some inclination towards tenderness, although she finds his name, Don Johnston, impossibly quaint. Back on the street, unshaven and looking increasingly like a bum, Johnston has a brief encounter with a young male hitchhiker for whom he buys a sandwich, but then makes an awkward comment how the hiker, who has been brought up in a Fatherless setting, must think Don is his Father! This goes over about as poorly as every other attempt at expression by Johnston throughout the film. It now becomes clear that while Don’s perception of everyone from his past as blatantly neurotic is pretty accurate, Don Johnston himself, with the romantic supports of his youth withdrawn and standing lost perilously in traffic, is also himself a pretty spurious and expendable character in the eyes of the world, or at least for the moment his odyssey has brought him to that pass. Don ultimately returns home without solving the mystery but realizing that his past is lost irretrievably.

While in Wales visiting her husband James, Ad?lle tries to fix her relationship with her teenager daughter Sarah. They see a weird memorial without the plate and with the name “Annwyn” marked, and the local Dafydd explains that this would be the place where people go after dying in accordance with the Welsh mythology. Later, Sarah vanishes on the beach and the daughter of the local fanatic shepherd, Ebrill, who died fifty years ago, appears in her place. Adele makes a research trying to find how to rescue her daughter from Annway.

You’ve got mail! Every time young college student Sam hears the sound of her email box a nightmare begins. Driven by terrifying hallucinations and with no one to trust Sam finds herself on the verge of insanity. Confronted with a mysterious murder she tries to break the hideous circle. The truth, however, becomes even more blurred and reality, phantasms and nightmares draw her into a dark abyss…

Eight years after his wife was brutally murdered, Alexandre Beck receives an e-mail with images of a woman who, although older, is obviously his wife. At the time of her murder, Beck was with her but he too was severely beaten and remained unconscious for several days after the incident. He approaches his father-in-law, a former senior police officer now retired, for more details about his wife’s murder but can get little additional information. It soon becomes apparent to him that he is being followed and when he is framed for murdering a friend, he goes on the run now fighting to save his own life.

“Pan’s Labyrinth” is the story of a young girl who travels with her pregnant mother to live with her mother’s new husband in a rural area up North in Spain, 1944, after Franco’s victory. The girl lives in an imaginary world of her own creation and faces the real world with much chagrin. Fascist repression during the first years of Franco’s dictatorship is at its height in rural Spain and the girl must come to terms with that through a fable of her own.