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Jackie works as a CCTV operator. Each day she watches over a small part of the world, protecting the people living their lives under her gaze. One day a man appears on her monitor, a man she thought she would never see again, a man she never wanted to see again. Now she has no choice, she is compelled to confront him.

Inspired by a true story, THE BOYS ARE BACK is a deeply moving, wryly confessional tale of fatherhood, that intimately evokes both the fragility and wonders of family life. It follows a witty, wisecracking, action-oriented sportswriter (Academy Award® nominee and Golden Globe winner CLIVE OWEN) who, in the wake of his wife’s tragic death, finds himself in a sudden, stultifying state of single parenthood. With turbulent emotions swirling just below the surface, Joe Warr throws himself into the only child-rearing philosophy he thinks has a shot at bringing joy back into their lives: “just says yes.” Raising two boys - a curious six year-old (NICHOLAS MCANULTY) and a rebel teen (GEORGE MACKAY) from a previous marriage — in a household devoid of feminine influence, and with an unabashed lack of rules, life becomes exuberant, instinctual, reckless . . . and on the constant verge of disaster. United by unspoken love, conflicted by fierce feelings and in search of a road forward, the three multi-generational boys of the Warr household, father and sons alike, must each find their own way, however tenuous, to grow up. Their story is not just about the transforming power of a family crisis — but the unavoidable grace of everyday life and love that gets them through. Academy Award® nominee Scott Hicks (”Shine”) directs from a screenplay by Allan Cubitt based on the acclaimed 2001 memoir by Simon Carr, The Boys Are Back, an unflinchingly funny and honest recounting of his journey from grieving husband to full-contact fatherhood in the aftermath of profound loss. Shot on location in the stunning countryside of South Australia, the film is produced by Greg Brenman (”Billy Elliot”) and Tim White (”Ned Kelly”). The executive producers are Peter Bennett-Jones and Clive Owen.

At first fancying himself an “enigmatic poet”, twenty something Art gradually realizes that he must take action if he’s going to escape his depressed life as a struggling musician in London. A solution comes in the shape of a book titled “It’s Not Your Fault”. Not content to just draw inspiration from its pages, however, Art invites the elderly author of the book to come live with him and his parents, which quickly becomes a painfully funny journey about dysfunction and growing up.

A heated game of poker causes three men incarcerated for nonviolent offenses to brutalize their cellmate before taking drastic measures in order to cover up their crime.

Matt, a young glaciologist, soars across the vast, silent, icebound immensities of the South Pole as he recalls his love affair with Lisa. They meet at a mobbed rock concert in a vast music hall—London’s Brixton Academy. They are in bed at night’s end. Together, over a period of several months, they pursue a mutual sexual passion whose inevitable stages unfold in counterpoint to nine live-concert songs.

HEAD IN THE CLOUDS is a sweeping romantic drama set in 1930’s England, Paris, and Spain. Gilda Bess? shares her Paris apartment with an Irish schoolteacher, Guy Malyon, and Mia, a refugee from Spain. As the world drifts toward war, Gilda defiantly pursues her hedonistic lifestyle and her burgeoning career as a photographer. But Guy and Mia feel impelled to join the fight against fascism, and the three friends are separated - seemingly forever.

The year is 1986. In Ochopee, Florida, 11-year-old Joanie Shriver is kidnapped, raped, and murdered. Bobby Earl Ferguson is arrested by officers Tanny Brown and J. T. Wilcox, who proceed to beat Bobby into confessing to the murder. Bobby is placed on trial, where Bobby’s defense attorney McNair puts up a lousy defense for Bobby, and Bobby is sentenced to be executed. Now, eight years later, Bobby hands a letter to his grandmother Evangeline and asks Evangeline to go to Cambridge, Massachusetts, to hire Harvard law professor Paul Armstrong to clear Bobby’s name. At Harvard, Paul is attacking capital punishment in a campus debate, when Evangeline arrives and hands the letter to Paul. Paul goes home, where his wife Laurie is throwing a birthday party for their young daughter Katey. Laurie reads the letter and she encourages Paul to take the case, even though he hasn’t practiced law in 25 years. Paul, Laurie, and Katey head to Florida, where Paul meets Bobby in the prison. Bobby tells Paul his side of the story and what Tanny and Wilcox did. Paul begins to believe that Bobby was railroaded. Bobby tells Paul to speak to Blair Sullivan, a man who is also on death row. Blair gives Paul some clues that could prove Bobby’s innocence — and Blair’s own guilt. But in the process of trying to clear Bobby, Paul learns some disturbing truths about Bobby, putting Paul and his family in a fight for their lives.

A post-apocalyptic tale, in which a lone man fights his way across America in order to protect a sacred book that holds the secrets to saving humankind.

Leo and Ellen are a successful New York couple, totally immersed in their work. Leo is the creator of a booming website, and has stumbled into a world of money and big decisions. Ellen is a dedicated emergency surgeon who devotes her long shifts to saving lives. Their 8-year old daughter Jackie spends most of her time with her Filipino nanny Gloria, a situation that is making Ellen start to question her priorities. When Leo travels to Thailand on business, he unwittingly sets off a chain of events that will have dramatic consequences for everyone.

While his trailer trash parents teeter on the edge of divorce, Nick Twisp sets his sights on dream girl Sheeni Saunders, hoping that she’ll be the one to take away his virginity.