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The story centers on a 14-year-old girl who keeps a diary about the ups and downs of being a teenager, including the things she learns about kissing.

This animated feature-length life of Jesus boasts a stellar pedigree. Originally a BBC Wales production, it showcases the voices of some of Britain’s finest actors in any medium: Ralph Fiennes as a brooding and humble Jesus, Miranda Richardson as Mary Magdalene, Richard E. Grant as John the Baptist and David Thewlis as Judas. The lovely, flute-heavy score is by Oscar-winner Anne Dudley (The Full Monty). And clearly a lot of expense has gone into the Claymation-like animation. But while it’s hard to find fault with the rendering of this familiar story—it is respectful and definitely done, you might say, by the Book—it would have been nice if there had been a tad more joy, if it walked a bit lighter in its sandals. As it is, all the characters seem consistently subdued, whether they are expressing angst, rage, terror or bliss—none of which is helped by the figures’ blank-eyed stares (if animators are becoming ever more sophisticated, why can’t they get rid of those creepy blank gazes once and for all?). Still, the weight of having such formidable actors play these familiar roles lends the production a certain credibility, and parents looking for good religious videos that won’t insult their kids’ intelligence will be thrilled.

Colonel Terry Childers is a 30 year career Marine. When he is ordered to go the American Embassy in Yemen, when it’s learned that things there are starting to unravel. After evacuating the Ambassador and his family, Childers orders his men to fire at the crowd cause he believes that they are armed. Back in the U.S., certain officials fear that there’ll be a backlash against other embassies and Americans, if Childers claim is proven to be true. So they have decided to make Childers a scapegoat. Childers asks Colonel Hayes Hodges, a man whom he knew and saved in Vietnam to defend him. And while there is no evidence or witness that can back Childers’ claim, Hodges feels that he owes it to Childers to do what he can.

A remake of the 1951 classic sci-fi film about an alien visitor and his giant robot counterpart who visit Earth.

A Mumbai teen who grew up in the slums, becomes a contestant on the Indian version of “Who Wants To Be A Millionaire?” He is arrested under suspicion of cheating, and while being interrogated, events from his life history are shown which explain why he knows the answers.

When Mystery, Alaska’s amateur hockey team accepts a challenge to play against the New York Rangers, the entire population must put their petty differences aside and pull together as their small town becomes the center of a nationally televised event.

Two weeks in the life of a fading Hollywood producer who’s having a rough time trying to get his new picture made.

Everything that could go wrong did go wrong: War, Terrorism, Natural Disasters. Evacuees were ushered from the cities to refugee camps in the surrounding counties. In-fighting, famine and disease took their toll on the survivors. Now, twenty years after the bombs fell and the plagues ran their course the few that remain live in fear and without hope. Azura Skye (28 DAYS, ONE MISSED CALL) stars as Sarah in this Post-Apocalyptic Fairy Tale about a young woman’s journey to deliver the first child born in 15 Years. Sarah’s refusal to give up is inspired by a lone voice on her radio. Michael (Joshua Leonard, THE BLAIR WITCH PROJECT) broadcasts dim and distant messages of hope mixed with the music he scavenges from the dead. Forced from her basement home by drought and relentlessly pursued by those who want her baby, Sarah crosses paths with Michael in a cavernous, underground refuge of disparate survivors. It is from Three Caves that Michael and Sarah will embark on a journey beyond the boundaries of the Southern Corridor and into the unknown future. Nathan Baesel (BEHIND THE MASK: THE RISE OF LESLIE VERNON), Reg. E Cathey (THE WIRE) and Diane Salinger (CARNIV?LE) co-star in this artfully rendered vision of a challenging future filled with danger, fear and hope.

A film adaptation of D.H. Lawrence’s novel. After a crippling injury leaves her husband impotent, Lady Chatterly is torn between her love for her husband and her physical desires. With her husband’s consent, she seeks out other means of fulfilling her needs.

Gloria (Jane Fonda) is a young woman of the Depression. She has aged beyond her years and feels her life is hopeless, having been cheated and betrayed many times in her past. Fantasizing about movies, she sees herself as an actress and decides to head for Hollywood, having got the idea from a movie magazine while recuperating in the hospital from a suicide attempt which resulted from another unhappy love affair. Robert (Michael Sarrazin), a desperate Hollywood citizen unsuccessfully trying to become a director, never doubting that he’ll eventually make it. Robert and Gloria meet and decide to enter a dance marathon, one of the crazes of the thirties. The grueling dancing takes its toll on Gloria’s already weakened spirit, and she tells Robert that she’d be better off dead, that her life is hopeless - all the while acting cruel and bitter, alienating those around her, trying to convince him to shoot her and put her out of her misery. After all, they shoot horses, don’t they?